Sunday 25 December 2011

Olivia O'Driscoll By Derek Henderson

Image - Pilot Magazine/Derek Henderson

Pilot is an incredibly good looking magazine.

Produced in New Zealand by Andy Pickering (once editor of Remix Magazine), with a focus upon exceptional design and layout, it seems logical that Pilot would also focus the same exceptional aesthetic standards upon their homegrown fashion editorials. In the past they have done so brilliantly, but it seems their recent issue has left a little to be desired.

Issue #6 of Pilot contains only one New Zealand produced fashion editorial, styled by industry novice Emma Gleason, and shot by Derek Henderson.

While drafting up and coming contributors usually displays an encouragement of fledgeling talent, in this instance it seems to display a lack of imagination from editor Andy Pickering. For a magazine which usually features several locally crafted fashion editorials, produced by some of the countries best names, to suddenly have just one, is an oversight.

I could be wrong, but I'd pick that Gleason was chosen because of her close ties/tweets with Murray Bevan of Showroom 22, her blogosphere fame, and self-promoted dabblings as an assistant to the respected Dan Ahwa. Rather than her own proven styling ability.

The shoot itself does indeed display a certain degree of polish expected from such a preeminent title, but this is undoubtedly due to the photographer and model, rather than the stylist. The styling is lackluster, and is an expected exercise in the pseudo-androgynous style Gleason herself is known for. Ill fitting menswear garments appear out of place alongside their more feminine counterparts. Accessories seem forced, and chosen only for their inherent brilliance, rather than a cohesiveness with the rest of the shoot. Fit and style are awkwardly transient throughout.

Apparently giving Gleason complete stylistic freedom, this shoot could have been her opportunity to shine in a discipline she is, thus far, not know for. Instead it was a largely directionless mash-up - Twiggy meets Mad Men meets Pretty Woman. It displayed none of the heightened creativity expected of a fashion editorial.

The addition of other content, from New Zealand's more experienced fashion industry personnel, would have added a credibility that this issue of Pilot lacks.

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Side Note.

The Pilot cover image of David Dallas, also styled by Gleason, is breathtaking. It is the best of all the summer covers from New Zealand's lifestyle, culture and fashion titles. Slick, polished and entirely unexpected.

14 comments:

  1. This post seems like a direct attack on Emma, and to be completely honest it contradicts your last post about remix in which you argue that burgeoning stylists should be given more opportunities.

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  2. Please don't read this harshly, but I think you shouldn't have censored/edited this post!

    Regardless of whether it seemed like a personal attack or not, your last post had actually outlined some critical reasons why you personally disliked the editorial (e.g. the lacklustre androgynous styling) which was interesting to read. This showed some insight into an actual judgement call on the work (something which happens so rarely in New Zealand), giving weight to your argument, rather than just basing the judgement on the stylist's novice status.

    I ask honestly and without any malevolence because I'd like to truly know your opinion: why, besides the inexperience of the stylist (which could be considered irrelevant), did you think that the editorial was below par?

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  3. But keep Emma's surname spelt correctly!

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  4. Yeah, this. I'm sure Emma Gleason is a very talented lass (her graduate fashion design collection had some lovely - though reasonably derivative - clothes), but styling doesn't seem to quite be her bag. When the oversized menswear look works on her, it tends to be more because she is blond and eskinny than because her styling is anything inspired. I, too, was pretty confused by her Pilot editorial... I just didn't quite get where it was going.

    Hopefully she keeps making clothes though, and I'm sure with time she might form an original style. I'm afraid I unsubscribed from her blog a while back, because I couldn't handle the pretentious, contrived, Julia-Frakes-emulation writing (which is barely even cute when Julia Frakes does it), but honestly I think she probably does have a good eye and just needs to strip back all those overpowering influences from other designers/bloggers and think for herself.

    For Pilot in general - two issues ago was miles better, TBH.

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  5. Hello. Thoroughly enjoyed reading this for its honesty and explanations of the critiques.

    I didn't get the impression that it was a personal attack. Taking on a challenge and putting yourself out there like Emma has is the fastest way to grow and develop. Hopefully she can learn from the feedback, yours and others, and if so I'm sure she'll be great.

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  6. Hi, i agree with this post, Emma Gleason’s relationship with Murray Bevan does appear to be a key factor in how she gets her opportunities. Her blog is represented by Showroom22 and often reads un-objectively as if it is a vehicle for promoting showroom22's other brands, so I guess the relationship goes both ways.

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  7. Oh this blog is fantastic. Do keep writing, as will keep reading.

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  8. Andy Pickering was once the editor or Remix magazine, not Pulp.

    Personally, I don't understand why so many people in the NZ fashion industry constantly fawn all over Derek Henderson. Yes, he has produced some brilliant editorials and campaigns on occasion - but he has also churned out quite a few very mediocre shoots as well over the years (such as this one).

    Fashion photography is a 'team sport', so solely blaming the stylist for this rather lacklustre editorial seems a tad unfair IMO.

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  9. i am loving your blog, you are quite spot on,
    i was horrified to see the latest issue of Pilot, especially with emma's terrible attempt at styling. bloggers should know when to stop and leave it to the professionals. shame on Derek too, what was he thinking? and i see he managed a token attempt at getting Olivia's tits out, so predictable. he is doing some bad bad work.

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